[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_image src=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/cabecerapod2.jpg” title_text=”cabeceraphone2″ src_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/cabecerapod2.jpg” src_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/cabeceraphone2.jpg” src_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” custom_padding_tablet=”” custom_padding_phone=”||||false|false” custom_padding_last_edited=”on|phone” animation_style=”fade” animation_duration=”1300ms” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”proyecto” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#561200″ background_image=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/proyecto5.png” background_size=”contain” background_position=”bottom_right” background_horizontal_offset=”19%” background_blend=”screen” custom_padding=”0px||0px||true|false” animation_direction=”bottom” scroll_vertical_motion=”0|50|50|50|4|0|-4″ background_last_edited=”on|desktop” background_enable_image_tablet=”off” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”contain” background_position=”top_right” background_blend=”multiply” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_padding=”||||true|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Pathway Gothic One||||||||” text_text_color=”rgba(255,207,178,0.9)” text_font_size=”20px” header_font=”Anton||||||||” header_text_color=”rgba(255,146,79,0.9)” header_font_size=”76px” background_color=”RGBA(255,255,255,0)” custom_margin=”||||false|false” custom_padding=”||||false|false” animation_style=”fade” sticky_limit_top=”row” header_font_size_tablet=”76px” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” sticky_position_tablet=”” sticky_position_phone=”” sticky_position_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
LA SOPRANO is an exploration of family, artistic legacy, and music reproduction devices from the past eighty years. Across six episodes<\/strong>, filmmaker Laura Bruno delves into the life of her distant aunt, whom she never met: Amelita Galli-Curci, a 20th-century Italian soprano and diva.\u00a0 <\/span>Drawing from family memories, interviews, archival audio material, voices from the era, and even the discovery of a player piano with rolls found in\u00a0 <\/span>the family's old vacation home, 'Villa Gaia,' the podcast unravels the multifaceted life and art of the singer.<\/p>\n Amelita's story spans from the early 1900s to the 1960s, beginning her soprano career in Italy with \"Caro Nome\" from Giuseppe Verdi's opera Rigoletto, and rising to become a diva in the United States.<\/p>\n She was a principal figure at the Chicago Opera House and the Metropolitan Opera in New York. As an exclusive artist for RCA Victor, her voice was extensively recorded in over three hundred acoustic and digital recordings. She shone for a decade until a devastating tumor in her throat, appearing at the peak of her life, ravaged her ascendant career. She retreated to Southern California, where she spent her final days near her disciple and later personal friend, the Hindu yogi and guru, and pioneer of yoga in the West, Paramahansa Yogananda.<\/p>\n Inspired by Amelita, whose anecdotes and records were so familiar to her, Laura embarks on an investigation into a figure she had never truly wondered about\u2014until now.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”episodios” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”initial” background_position=”center_left” custom_padding=”||||true|false” scroll_fade_enable=”on” motion_trigger_start=”top” hover_transition_duration_tablet=”” hover_transition_duration_phone=”” hover_transition_duration_last_edited=”on|phone” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”82%” max_width=”1673px” custom_padding=”50px||80px||false|false” custom_padding_tablet=”50px||80px||false|false” custom_padding_phone=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_text_align=”right” header_text_color=”rgba(255,146,79,0.9)” header_font_size=”78px” custom_margin=”30px||||false|false” animation_style=”fade” header_font_size_tablet=”78px” header_font_size_phone=”35px” header_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/ep1.mp3″ title=”EPISODIO 1 %22Shadow song%22″ album_name=”Laura viaja con su hijo, Germ\u00e1n, al pueblo de La Cumbre en C\u00f3rdoba, Argentina, para visitar a Tati, una prima de su madre a quien no ha visto en veinte a\u00f1os. El viaje lleva a Laura a reflexionar sobre una figura familiar c\u00e9lebre: su t\u00eda bisabuela Amelita Galli Curci, diva de la \u00f3pera de los a\u00f1os 20\u00b4s. A trav\u00e9s de relatos familiares y material de archivo, que incluye una entrevista con la propia Amelita, el episodio narra los or\u00edgenes de la cantante y su ascenso a la fama, y conecta el viaje personal de Laura con la historia de la cantante a trav\u00e9s de la historia familiar, su talento musical y su legado.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP1-a.jpg” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”left” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/ep2.mp3″ title=”EPISODIO 2 \u201cCaro Nome\u201d” album_name=”El episodio se centra en el personaje de Gilda de la \u00f3pera Rigoletto de Verdi, una de las interpretaciones m\u00e1s aclamadas de Galli Curci. ELSA ALIBONI, psic\u00f3loga y mezzosoprano, describe la complejidad del personaje de Gilda, desde su inocencia hasta su amor y sacrificio. Se analiza el aria \u201cCaro Nome\u201d y la habilidad de Amelita para interpretarlo. Adem\u00e1s, Laura explora la historia familiar a trav\u00e9s de rollos de pianola encontrados en la antigua casa de vacaciones de los Galli, %22Villa Gaia%22. PABLO CHIMENTI, m\u00fasico y artista sonoro, explica el funcionamiento de estos rollos y su conexi\u00f3n con la m\u00fasica de la \u00e9poca de Amelita. El episodio tambi\u00e9n destaca el impacto de Amelita en la cr\u00edtica de la \u00e9poca y la pasi\u00f3n del p\u00fablico por su canto, mostrando su carisma y talento excepcionales.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP2-d.jpg” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”bio” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#e6a456″ background_image=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/bio.png” background_size=”contain” background_position=”bottom_left” background_horizontal_offset=”-8%” custom_margin=”50px||||false|false” custom_margin_tablet=”50px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|desktop” custom_padding=”||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” background_last_edited=”on|desktop” background_enable_image_tablet=”off” background_position_tablet=”bottom_left” background_horizontal_offset_tablet=”0%” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ custom_padding_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”contain” background_position=”top_left” max_width=”100%” min_height_tablet=”” min_height_phone=”” min_height_last_edited=”on|phone” custom_padding=”40px||50px||false|false” custom_padding_tablet=”40px||50px||false|false” custom_padding_phone=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_text_align=”right” header_text_color=”#000000″ header_font_size=”35px” header_5_font=”Anton||||||||” header_5_text_align=”left” header_5_text_color=”rgba(0,0,0,0.43)” header_5_font_size=”22px” header_5_line_height=”1.3em” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”” transform_translate_phone=”” transform_translate_last_edited=”on|desktop” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|desktop” position_origin_f=”bottom_right” width=”100%” module_alignment=”left” custom_padding=”|70px|||false|false” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”]<\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n The Galli family tree begins in Milan, Italy, where young Amelita enthusiastically embraced the musical education of her time, learning to play the piano. Amelita's early life took an unexpected turn when her father's business went bankrupt, forcing him to travel to Argentina with his sons to rebuild their fortune, while Amelita and her mother remained in Europe. Despite the economic hardships, Amelita's passion for music endured. She perfected her vocal skills as a self-taught artist and, by late 1906, secured her first operatic contract in Rome, from which point her performances and world tours began. In 1908, she married Marquis Luigi Curci, adding her husband's surname to her own. They divorced in 1921, and Galli-Curci remarried Homer Samuels, her piano accompanist. In 1915, she sang two performances of Lucia di Lammermoor with Enrico Caruso in Buenos Aires. She arrived in the United States in 1916. A short stay was planned, but the immense success she garnered for her interpretation of Gilda from Rigoletto in Chicago was so extraordinary that she agreed to remain as a member of the Chicago Opera Company. She was part of this company until 1924. <\/span>Amelita became an American diva. She signed a contract with the Victor Talking Machine Company (RCA), for which she made a large number of recordings until 1930. In 1921, Galli-Curci joined the Metropolitan Opera in New York, where she remained until her retirement from the stage in 1930. She had suffered from throat problems for many years until, in 1935, she had to undergo surgery to remove a nodule. The following year, she returned to the stage as Mimi in La Boh\u00e8me in Chicago. Unfortunately, it became clear that her singing years were over, and after a few recitals, she retired permanently and moved to California, where she attended the Self Realization Fellowship<\/i>, a devotee of her Buddhist master Paramahansa Yogananda. She <\/span>resided there until her death in November 1963, at the age of 82.<\/p>\n ” content_phone=”<\/p>\n The Galli family tree begins in Milan, Italy, where young Amelita enthusiastically embraced the musical education of her time, learning to play the piano. Amelita's early life took an unexpected turn when her father's business went bankrupt, forcing him to travel to Argentina with his sons to rebuild their fortune, while Amelita and her mother remained in Europe. Despite the economic hardships, Amelita's passion for music endured. She perfected her vocal skills as a self-taught artist and, by late 1906, secured her first operatic contract in Rome, from which point her performances and world tours began. In 1908, she married Marquis Luigi Curci, adding her husband's surname to her own. They divorced in 1921, and Galli-Curci remarried Homer Samuels, her piano accompanist. In 1915, she sang two performances of Lucia di Lammermoor with Enrico Caruso in Buenos Aires. She arrived in the United States in 1916. A short stay was planned, but the immense success she garnered for her interpretation of Gilda from Rigoletto in Chicago was so extraordinary that she agreed to remain as a member of the Chicago Opera Company. She was part of this company until 1924. <\/span>Amelita became an American diva. She signed a contract with the Victor Talking Machine Company (RCA), for which she made a large number of recordings until 1930. In 1921, Galli-Curci joined the Metropolitan Opera in New York, where she remained until her retirement from the stage in 1930. She had suffered from throat problems for many years until, in 1935, she had to undergo surgery to remove a nodule. The following year, she returned to the stage as Mimi in La Boh\u00e8me in Chicago. Unfortunately, it became clear that her singing years were over, and after a few recitals, she retired permanently and moved to California, where she attended the Self Realization Fellowship<\/i>, a devotee of her Buddhist master Paramahansa Yogananda. She <\/span>resided there until her death in November 1963, at the age of 82.<\/p>\n ” content_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Pathway Gothic One||||||||” text_text_color=”#150300″ text_font_size=”20px” header_font=”Anton||||||||” header_text_color=”#bf2f00″ header_font_size=”76px” custom_margin=”30px||||false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” animation_style=”zoom” sticky_limit_top=”row” scroll_vertical_motion=”0|46|46|100|4|0|-4″ header_font_size_tablet=”76px” header_font_size_phone=”55px” header_font_size_last_edited=”on|phone” sticky_position_tablet=”” sticky_position_phone=”” sticky_position_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n The Galli family tree begins in Milan, Italy, where young Amelita enthusiastically embraced the musical education of her time, learning to play the piano. Amelita's early life took an unexpected turn when her father's business went bankrupt, forcing him to travel to Argentina with his sons to rebuild their fortune, while Amelita and her mother remained in Europe.<\/p>\n A pesar de las dificultades econ\u00f3micas, la pasi\u00f3n de Amelita por la m\u00fasica perdura. Perfecciona sus habilidades vocales de forma autodidacta y a fines de 1906 consigue su primer contrato oper\u00edstico en Roma y desde entonces comienza sus presentaciones y giras por todo el mundo. En 1908 se casa con el marqu\u00e9s Luigi Curci, y a\u00f1ade el apellido de su marido al suyo. Se divorciaron en 1921 y Galli-Curci se volvi\u00f3 a casar con Homer Samuels, su acompa\u00f1ante en piano. En 1915 cant\u00f3 dos funciones de “Lucia di Lammermoor” con Enrico Caruso en Buenos Aires. Lleg\u00f3 a los Estados Unidos en el a\u00f1o 1916. Estaba planificada una corta estancia, pero el gran \u00e9xito que recogi\u00f3 por su interpretaci\u00f3n de la Gilda de Rigoletto\u00a0 fue tan extraordinario que acept\u00f3 permanecer como integrante de la Chicago Opera Company. Form\u00f3 parte de esta compa\u00f1\u00eda hasta 1924.\u00a0 <\/span><\/p>\n Amelita became an American diva. She signed a contract with the Victor Talking Machine Company (RCA), for which she made a large number of recordings until 1930. In 1921, Galli-Curci joined the Metropolitan Opera in New York, where she remained until her retirement from the stage in 1930. She had suffered from throat problems for many years until, in 1935, she had to undergo surgery to remove a nodule. The following year, she returned to the stage as Mimi in La Boh\u00e8me in Chicago. Unfortunately, it became clear that her singing years were over, and after a few recitals, she retired permanently and moved to California, where she attended the Self Realization Fellowship<\/i>, a devotee of her Buddhist master Paramahansa Yogananda. She\u00a0 <\/span>resided there until her death in November 1963, at the age of 82.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”galeria” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”initial” background_position=”center_left” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” scroll_fade_enable=”on” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” width=”100%” max_width=”1299px” custom_margin=”50px||0px||false|false” animation_style=”zoom” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_text_color=”rgba(255,146,79,0.9)” 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custom_css_main_element_last_edited=”on|phone”][ba_image_carousel_child photo=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/Amelita-como-Violeta-La-Traviatta.jpg” photo_alt=”Amelita como Violeta (La Traviatta)” title=”Amelita como Violeta, La Traviatta” content_alignment=”center” image_height_tablet=”” image_height_phone=”” image_height_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_level=”h4″ title_font=”Pathway Gothic One||||||||” title_text_color=”#E09900″ title_font_size=”16px” title_line_height=”1em” button_rel=”off|off|off|off|off” text_orientation=”center” filter_saturate=”47%” filter_sepia=”60%” filter_opacity=”67%” title_font_size_tablet=”14px” title_font_size_phone=”14px” title_font_size_last_edited=”on|phone” custom_css_after=”content:H4;” custom_css_title=”text-align: center;||top:50%;” border_width_all_item=”2px” border_color_all_item=”#E09900″ border_style_all_item=”solid” global_colors_info=”{}” 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button_font=”Alumni Sans|600|||||||” button_icon=”||fa||900″ button_icon_color=”#ffffff” button_on_hover=”off” header_font_size_tablet=”37px” header_font_size_phone=”28px” header_font_size_last_edited=”on|phone” border_radii=”on|11px|11px|11px|11px” border_color_all=”rgba(255,161,79,0.95)” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" PROYECTO LA SOPRANO es una exploraci\u00f3n de la familia, el legado art\u00edstico y los dispositivos de reproducci\u00f3n de m\u00fasica de los \u00faltimos ochenta a\u00f1os. A lo largo de seis episodios, la realizadora Laura Bruno se adentra en la vida de su t\u00eda lejana, a quien nunca conoci\u00f3, la soprano y diva italiana del siglo pasado […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":247,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":871,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages\/8\/revisions\/871"}],"wp:attachment":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}EPISODES 1-2<\/h1>\n
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Amelita and \u00a0<\/span>Paramahansa Yogananda, Washington DC, 1927<\/span><\/h5>\n
BIO<\/h1>\n
BIO<\/h1>\n
BIO<\/h1>\n
GALLERY<\/h1>\n