[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_image src=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/cabecerapod2.jpg” title_text=”cabeceraphone2″ src_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/cabecerapod2.jpg” src_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/cabeceraphone2.jpg” src_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” custom_padding_tablet=”” custom_padding_phone=”||||false|false” custom_padding_last_edited=”on|phone” animation_style=”fade” animation_duration=”1300ms” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”proyecto” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#561200″ background_image=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/proyecto5.png” background_size=”contain” background_position=”bottom_right” background_horizontal_offset=”19%” background_blend=”screen” custom_padding=”0px||0px||true|false” animation_direction=”bottom” scroll_vertical_motion=”0|50|50|50|4|0|-4″ background_last_edited=”on|desktop” background_enable_image_tablet=”off” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”contain” background_position=”top_right” background_blend=”multiply” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_padding=”||||true|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Pathway Gothic One||||||||” text_text_color=”rgba(255,207,178,0.9)” text_font_size=”20px” header_font=”Anton||||||||” header_text_color=”rgba(255,146,79,0.9)” header_font_size=”76px” background_color=”RGBA(255,255,255,0)” custom_margin=”||||false|false” custom_padding=”||||false|false” animation_style=”fade” sticky_limit_top=”row” header_font_size_tablet=”76px” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” sticky_position_tablet=”” sticky_position_phone=”” sticky_position_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
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NARRATIVE NONFICTION PODCAST THAT WEAVES TOGETHER THE LIFE OF THE FAMOUS ITALIAN SOPRANO AMELITA GALLI-CURCI, MY OWN FAMILY'S STORY, AND THE HISTORY OF SOUND DEVICES OVER THE LAST HUNDRED YEARS.<\/p>\n
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At home, we always spoke of the renowned soprano Amelita Galli-Curci (1882\u20131963), the Italian-born sister of my great-grandfather Enrico \u2014 el Nonino \u2014 and aunt of my beloved maternal grandmother Amelita Galli, named in her honor and known to everyone as \"Lita\". As soon as I began to look into this aunt's past, I was able to find some information: in the early 1900s, following an economic collapse suffered by Amelita's father \u2014 my great-great-grandfather \u2014 he and his children traveled to Argentina to seek their fortune, while she and her mother remained in their native Italy. A disciplined piano student and entirely self-taught singer, Amelita auditioned for the first time \u2014 with overwhelming success \u2014 in the role of Gilda in the small Italian town of Triani. From that moment on, she never stopped growing as a lyric singer, performing on the most prestigious operatic stages in the world, being engaged by the Chicago Opera and later by the Metropolitan Opera in New York. She made her way in the world of opera, reaching its highest heights. Amelita came to Argentina very few times; one of those visits was in August 1915, when she performed at the Teatro Col\u00f3n, before returning to the United States, where she lived at the time and would spend her final years.<\/p>\n
Until now, I never knew whether anyone in my family had actually met her during any of these visits. Family stories about ancestors often echo through generations as little more than folklore, and I knew virtually nothing about Amelita's life \u2014 despite the fact that my own mother Silvia (82) always admired her deeply, proudly keeping her memory alive as a source of family pride. She used to have a large portrait of her hanging in the dining room. My grandmother Lita, who passed away in 2016 at the age of 99, also spoke of her aunt with fervent admiration.<\/p>\n
This story never interested me much \u2014 until one day, searching through my emails for some trace of my father, who had passed away just a few months earlier, I came across an email from him containing an attachment. It was an article written in English for an American journal, in which my father \u2014 a renowned endocrinologist \u2014 analyzed Amelita's illness: a thyroid nodule the size of a tennis ball lodged in her neck. The title of the article was: \"Why Did Amelita Lose Her Voice?\" It was dated 2019, just three years before my father's death.<\/p>\n
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LAURA BRUNO<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”episodios” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”initial” background_position=”center_left” custom_padding=”||||true|false” scroll_fade_enable=”on” motion_trigger_start=”top” hover_transition_duration_tablet=”” hover_transition_duration_phone=”” hover_transition_duration_last_edited=”on|phone” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”82%” max_width=”1673px” custom_padding=”50px||80px||false|false” custom_padding_tablet=”50px||80px||false|false” custom_padding_phone=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_text_align=”right” header_text_color=”rgba(255,146,79,0.9)” header_font_size=”78px” custom_margin=”30px||||false|false” animation_style=”fade” header_font_size_tablet=”78px” header_font_size_phone=”35px” header_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/ep1.mp3″ title=”EPISODIO 1 %22Shadow song%22″ album_name=”Laura viaja con su hijo, Germ\u00e1n, al pueblo de La Cumbre en C\u00f3rdoba, Argentina, para visitar a Tati, una prima de su madre a quien no ha visto en veinte a\u00f1os. El viaje lleva a Laura a reflexionar sobre una figura familiar c\u00e9lebre: su t\u00eda bisabuela Amelita Galli Curci, diva de la \u00f3pera de los a\u00f1os 20\u00b4s. A trav\u00e9s de relatos familiares y material de archivo, que incluye una entrevista con la propia Amelita, el episodio narra los or\u00edgenes de la cantante y su ascenso a la fama, y conecta el viaje personal de Laura con la historia de la cantante a trav\u00e9s de la historia familiar, su talento musical y su legado.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP1-a.jpg” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”left” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/ep2.mp3″ title=”EPISODIO 2 \u201cRuise\u00f1or\u201d” album_name=”El episodio se centra en el personaje de Gilda de la \u00f3pera Rigoletto de Verdi, una de las interpretaciones m\u00e1s aclamadas de Galli Curci. ELSA ALIBONI, psic\u00f3loga y mezzosoprano, describe la complejidad del personaje de Gilda, desde su inocencia hasta su amor y sacrificio. Se analiza el aria \u201cCaro Nome\u201d y la habilidad de Amelita para interpretarlo. Adem\u00e1s, Laura explora la historia familiar a trav\u00e9s de rollos de pianola encontrados en la antigua casa de vacaciones de los Galli, %22Villa Gaia%22. PABLO CHIMENTI, m\u00fasico y artista sonoro, explica el funcionamiento de estos rollos y su conexi\u00f3n con la m\u00fasica de la \u00e9poca de Amelita. El episodio tambi\u00e9n destaca el impacto de Amelita en la cr\u00edtica de la \u00e9poca y la pasi\u00f3n del p\u00fablico por su canto, mostrando su carisma y talento excepcionales.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP2-d.jpg” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio title=”EPISODIO 3 \u201cHis master voice\u201d” album_name=”En la Biblioteca Nacional Laura busca en los diarios de \u00e9poca las cr\u00f3nicas de las presentaciones de Amelita en Buenos Aires durante sus giras de 1912 y 1915. Esta \u00faltima temporada fue crucial para la diva: llega a la Argentina habiendo sobrevivido al tifus en Espa\u00f1a, donde a\u00fan sin poder tenerse en pie, canta desde el escenario en una silla de ruedas y es ovacionada por el p\u00fablico y los reyes de Espa\u00f1a. En Buenos Aires, comparte escenario con Enrico Caruso presentando la \u00f3pera Luc\u00eda di Lammermoor en el Teatro Col\u00f3n. MARGARITA POLLINI, gestora cultural y periodista especializada en m\u00fasica cl\u00e1sica, explica por qu\u00e9 esa \u00f3pera y su c\u00e9lebre escena de la locura definen un tipo de hero\u00edna femenina que marc\u00f3 toda una \u00e9poca. Terminada la gira, la guerra impide la vuelta a Italia y Amelita triangula su viaje v\u00eda los Estados Unidos, donde debuta en la \u00d3pera de Chicago con un \u00e9xito arrollador. Firma con la discogr\u00e1fica Victor Talking Machine Company en los mismos t\u00e9rminos que Caruso, y su voz, \u00edntima y perfecta para el disco, la convierte en un bestseller. JORGE DILELO, de la Fundaci\u00f3n Teatro Col\u00f3n, la define como una \u201cdiva discogr\u00e1fica\u201d y NICOL\u00c1S VARCHAUSKY, compositor y artista sonoro, recorre la cadena de dispositivos que va del fon\u00f3grafo original a Spotify.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP2-d.jpg” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2026\/07\/LA_SOPRANO_E04_DECADA_DE_GLORIA-1.mp3″ title=”EPISODIO 4 \u201cD\u00e9cada de gloria\u201d” album_name=”El episodio abre en el conservatorio donde estudia Germ\u00e1n, el hijo de Laura, en una presentaci\u00f3n de los coros de la escuela. Desde ah\u00ed, el relato viaja a Nueva York, donde la carrera de Amelita alcanza su momento m\u00e1s deslumbrante. PETER CLARK, archivista y director de prensa durante m\u00e1s de cuarenta a\u00f1os en el Metropolitan Opera House, recuerda c\u00f3mo de ni\u00f1o escuchaba los discos de Galli-Curci en el tocadiscos de su abuela, y c\u00f3mo su voz, inconfundible y aterciopelada, era reconocida en cada hogar americano. Tras la muerte de Caruso en 1920, el Met busca una figura capaz de sostener la noche de apertura de la temporada siguiente y elige a Amelita para cantar La Traviata, un rol que exige casi tres registros distintos. MARGARITA POLLINI explica la complejidad de Violeta, rol protag\u00f3nico de La Traviata, una hero\u00edna que sacrifica su \u00fanico amor para proteger el honor de su amado. JORGE DI LELLO recuerda que pasar por el Col\u00f3n era el diploma pero el Metropolitan, la meca: el debut de Amelita en la noche de estreno del teatro, es un triunfo absoluto. Ya es una verdadera Prima Donna en el circuito internacional, ha alcanzado una popularidad descomunal, e incluso \u2013algo inusual en la \u00e9poca– cobra cachets m\u00e1s altos que sus colegas masculinos. Las caracter\u00edsticas de su canto, de tono puro, ligero y claro, y el control total en la t\u00e9cnica de su voz, unido a una personalidad carism\u00e1tica y natural, elevan a Amelita al mejor momento de su carrera art\u00edstica. En el pico de su fama, su matrimonio con Luigi se derrumba cuando Amelita se enamora de su pianista, Homer Samuels, se divorcia y se casa con \u00e9l el 15 de enero de 1921, convirti\u00e9ndose ese mismo d\u00eda en ciudadana estadounidense. Nunca regres\u00f3 a Italia.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP2-d.jpg” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2026\/07\/LA_SOPRANO_E05_POR_QUE_AMELITA_PERDIO_SU_VOZ.mp3″ title=”EPISODIO 5 \u201c\u00bfPorqu\u00e9 Amelita perdi\u00f3 su voz\u201d” album_name=”El padre de Laura, el Dr. Oscar Bruno, m\u00e9dico endocrin\u00f3logo fallecido en 2022, public\u00f3 un art\u00edculo cient\u00edfico con una hip\u00f3tesis personal sobre las causas por las que Amelita perdi\u00f3 su voz. Su colega, el Dr. LEONARDO RIZZO, endocrin\u00f3logo del Hospital de Cl\u00ednicas de Buenos Aires, explica el diagn\u00f3stico: Amelita ten\u00eda un bocio de 184 gramos \u2014 nueve veces el tama\u00f1o normal de una tiroides \u2014 que hab\u00eda crecido en silencio durante quince a\u00f1os, desplazando su tr\u00e1quea y afectando su nervio lar\u00edngeo superior. MARGARITA POLINI describe lo que significa para una cantante convivir con esa incertidumbre sobre la propia voz. El bulto en el cuello de Amelita hab\u00eda crecido lo suficiente como para dejarle cada vez menos espacio a su respiraci\u00f3n y a su canto, por lo que la soprano decide operarse para evitar un retiro anticipado de la escena oper\u00edstica. Pero antes de saber siquiera que se someter\u00eda a la cirug\u00eda, en 1934, viaja a Rosario para visitar a su hermano Enrico y a toda la familia Galli. De ese encuentro queda una foto color sepia que Laura mira en detalle. QUIQUE GALLI, LEO GALLI y PABLO GALLI, t\u00edos y primos de Laura, reconstruyen la historia del bisabuelo Enrico \u2014 su car\u00e1cter, su fortuna, su legado \u2014 y los recuerdos que circulan en la familia sobre aquella visita y sobre la soprano. La operaci\u00f3n, realizada en Chicago en 1935 bajo anestesia local, -mientras para orientar el trabajo de los m\u00e9dicos sobre la tensi\u00f3n de sus cuerdas vocales, Amelita tose, emite sonidos y llega a cantar un pasaje de El Barbero de Sevilla-, es un acontecimiento m\u00e9dico y medi\u00e1tico. Aunque despu\u00e9s d ela operaci\u00f3n su voz ya no es la misma. Su retorno a la \u00d3pera de Chicago en 1936 es recibido con elogios tibios. Aquella voz espl\u00e9ndida de otra \u00e9poca insin\u00faa ahora apenas su antiguo brillo mientras se apaga progresivamente. A Amelita no le queda m\u00e1s que aceptar que no puede seguir cantando. A\u00f1os despu\u00e9s, Hollywood le otorga una estrella en el Walk of Fame en la categor\u00eda grabaciones.” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP2-d.jpg” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2026\/07\/LA_SOPRANO_E06_ADIOS_DIVA.mp3″ title=”EPISODIO 6 \u201cAdi\u00f3s diva\u201d” album_name=”Tras la fallida presentaci\u00f3n en Chicago y la p\u00e9rdida definitiva de su voz como cantante, Amelita se retira de la vida p\u00fablica por voluntad propia y se instala en el sur de California, lejos de los escenarios y las luces. Con este nuevo horizonte de vida, Amelita destina todo su tiempo a pintar, a cantar puertas adentro, y a leer los libros de Daisetz Suzuki sobre budismo zen. Encuentra consuelo en la espiritualidad: las ense\u00f1anzas del gur\u00fa hinduista, precursor del yoga en occidente, Paramahansa Yogananda \u2014 a quien hab\u00eda conocido en 1927 \u2014 la acompa\u00f1ar\u00e1n hasta el final de su vida. GABRIEL FIGINI, especialista en artes marciales y entrenamientos bioenerg\u00e9ticos, explica qu\u00e9 significa abrazar una filosof\u00eda como el Kriya Yoga en esa etapa de la vida. LUISINA RAMPOLDI, psic\u00f3loga y astr\u00f3loga, analiza la carta natal de Amelita y traza un retrato de su car\u00e1cter: intensa, auto afirmativa, con una soledad profunda en su n\u00facleo emocional y una herida ligada a la figura del padre y los hermanos. Laura explora tambi\u00e9n la figura del t\u00edo Pep\u00edn, hermano de Amelita y del bisabuelo Enrico, astr\u00f3nomo aficionado, m\u00fasico y music\u00f3logo, que mantuvo con ella un fluido intercambio epistolar. En 1934, en su \u00faltima visita a Rosario, Amelita hace llegar con un ba\u00fal lleno de sus vestuarios de \u00f3pera \u2014 Gilda, Luc\u00eda, Violeta, Rosina \u2014 que se convierte en un secreto deslumbrante para las peque\u00f1as sobrinas. Amelita muere por un enfisema pulmonar, el 26 de noviembre de 1963 en La Jolla, California, a sus 81 a\u00f1os. La noticia acapara titulares apenas cuatro d\u00edas despu\u00e9s del asesinato de JFK. Su testamento depara una \u00faltima sorpresa para la familia. ” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/05\/EP2-d.jpg” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][et_pb_audio audio=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2026\/07\/LA_SOPRANO_EPILOGO_TESTIGO.mp3″ title=”EP\u00cdLOGO: %22Testigo%22″ album_name=”Estamos en la redacci\u00f3n del diario El Nacional, es agosto de 1915, pocos d\u00edas despu\u00e9s de la presentaci\u00f3n de Amelita junto a Caruso en el Teatro Col\u00f3n. Un periodista la entrevista y ella responde con la franqueza y el car\u00e1cter que la definen: admira a Dante Alighieri, apoya la entrada de Italia a la guerra, prefiere tener dinero a no tenerlo, aunque declara que no hace arte por dinero. Su gran alegr\u00eda, dice, es el aplauso del p\u00fablico. Para qu\u00e9 vive uno, le preguntan. Para so\u00f1ar, contesta. Laura reflexiona sobre lo que queda de Amelita hoy: su voz grabada en cientos de discos, una \u00fanica entrevista sonora y ning\u00fan testigo vivo que la haya escuchado cantar en un teatro. NICOL\u00c1S VARCHAUSKY cierra el podcast con la pregunta que ha recorrido toda la narraci\u00f3n acerca de la memoria, el sonido y el tiempo. ” image_url=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2026\/07\/Captura-de-pantalla-2026-07-02-a-las-6.28.12-p.-m.png” image_url_tablet=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_phone=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/EP2mobile.png” image_url_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Anton||||||||” caption_font_size=”15px” background_color=”RGBA(255,255,255,0)” text_orientation=”justified” child_filter_opacity=”82%” animation_style=”slide” animation_direction=”left” animation_duration=”1500ms” border_width_all=”4px” border_color_all=”rgba(229,163,86,0.65)” border_style_all=”double” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”bio” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#e6a456″ background_image=”https:\/\/amelitagallicurci.com\/wp-content\/uploads\/2025\/06\/bio.png” background_size=”contain” background_position=”bottom_left” background_horizontal_offset=”-8%” custom_margin=”50px||||false|false” custom_margin_tablet=”50px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|desktop” custom_padding=”||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” background_last_edited=”on|desktop” background_enable_image_tablet=”off” background_position_tablet=”bottom_left” background_horizontal_offset_tablet=”0%” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ custom_padding_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”contain” background_position=”top_left” max_width=”100%” min_height_tablet=”” min_height_phone=”” min_height_last_edited=”on|phone” custom_padding=”40px||50px||false|false” custom_padding_tablet=”40px||50px||false|false” custom_padding_phone=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_text_align=”right” header_text_color=”#000000″ header_font_size=”35px” header_5_font=”Anton||||||||” header_5_text_align=”left” header_5_text_color=”rgba(0,0,0,0.43)” header_5_font_size=”22px” header_5_line_height=”1.3em” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”” transform_translate_phone=”” transform_translate_last_edited=”on|desktop” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|desktop” position_origin_f=”bottom_right” width=”100%” module_alignment=”left” custom_padding=”|70px|||false|false” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”]<\/p>\n
<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n The Galli family tree begins in Milan, Italy, where young Amelita enthusiastically embraced the musical education of her time, learning to play the piano. Amelita's early life took an unexpected turn when her father's business went bankrupt, forcing him to travel to Argentina with his sons to rebuild their fortune, while Amelita and her mother remained in Europe. Despite the economic hardships, Amelita's passion for music endured. She perfected her vocal skills as a self-taught artist and, by late 1906, secured her first operatic contract in Rome, from which point her performances and world tours began. In 1908, she married Marquis Luigi Curci, adding her husband's surname to her own. They divorced in 1921, and Galli-Curci remarried Homer Samuels, her piano accompanist. In 1915, she sang two performances of Lucia di Lammermoor with Enrico Caruso in Buenos Aires. She arrived in the United States in 1916. A short stay was planned, but the immense success she garnered for her interpretation of Gilda from Rigoletto in Chicago was so extraordinary that she agreed to remain as a member of the Chicago Opera Company. She was part of this company until 1924. <\/span>Amelita became an American diva. She signed a contract with the Victor Talking Machine Company (RCA), for which she made a large number of recordings until 1930. In 1921, Galli-Curci joined the Metropolitan Opera in New York, where she remained until her retirement from the stage in 1930. She had suffered from throat problems for many years until, in 1935, she had to undergo surgery to remove a nodule. The following year, she returned to the stage as Mimi in La Boh\u00e8me in Chicago. Unfortunately, it became clear that her singing years were over, and after a few recitals, she retired permanently and moved to California, where she attended the Self Realization Fellowship<\/i>, a devotee of her Buddhist master Paramahansa Yogananda. She <\/span>resided there until her death in November 1963, at the age of 82.<\/p>\n ” content_phone=”<\/p>\n The Galli family tree begins in Milan, Italy, where young Amelita enthusiastically embraced the musical education of her time, learning to play the piano. Amelita's early life took an unexpected turn when her father's business went bankrupt, forcing him to travel to Argentina with his sons to rebuild their fortune, while Amelita and her mother remained in Europe. Despite the economic hardships, Amelita's passion for music endured. She perfected her vocal skills as a self-taught artist and, by late 1906, secured her first operatic contract in Rome, from which point her performances and world tours began. In 1908, she married Marquis Luigi Curci, adding her husband's surname to her own. They divorced in 1921, and Galli-Curci remarried Homer Samuels, her piano accompanist. In 1915, she sang two performances of Lucia di Lammermoor with Enrico Caruso in Buenos Aires. She arrived in the United States in 1916. A short stay was planned, but the immense success she garnered for her interpretation of Gilda from Rigoletto in Chicago was so extraordinary that she agreed to remain as a member of the Chicago Opera Company. She was part of this company until 1924. <\/span>Amelita became an American diva. She signed a contract with the Victor Talking Machine Company (RCA), for which she made a large number of recordings until 1930. In 1921, Galli-Curci joined the Metropolitan Opera in New York, where she remained until her retirement from the stage in 1930. She had suffered from throat problems for many years until, in 1935, she had to undergo surgery to remove a nodule. The following year, she returned to the stage as Mimi in La Boh\u00e8me in Chicago. Unfortunately, it became clear that her singing years were over, and after a few recitals, she retired permanently and moved to California, where she attended the Self Realization Fellowship<\/i>, a devotee of her Buddhist master Paramahansa Yogananda. She <\/span>resided there until her death in November 1963, at the age of 82.<\/p>\n ” content_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Pathway Gothic One||||||||” text_text_color=”#150300″ text_font_size=”20px” header_font=”Anton||||||||” header_text_color=”#bf2f00″ header_font_size=”76px” custom_margin=”30px||||false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” animation_style=”zoom” sticky_limit_top=”row” scroll_vertical_motion=”0|46|46|100|4|0|-4″ header_font_size_tablet=”76px” header_font_size_phone=”55px” header_font_size_last_edited=”on|phone” sticky_position_tablet=”” sticky_position_phone=”” sticky_position_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n The Galli family tree begins in Milan, Italy, where young Amelita enthusiastically embraced the musical education of her time, learning to play the piano. Amelita's early life took an unexpected turn when her father's business went bankrupt, forcing him to travel to Argentina with his sons to rebuild their fortune, while Amelita and her mother remained in Europe.<\/p>\n A pesar de las dificultades econ\u00f3micas, la pasi\u00f3n de Amelita por la m\u00fasica perdura. Perfecciona sus habilidades vocales de forma autodidacta y a fines de 1906 consigue su primer contrato oper\u00edstico en Roma y desde entonces comienza sus presentaciones y giras por todo el mundo. En 1908 se casa con el marqu\u00e9s Luigi Curci, y a\u00f1ade el apellido de su marido al suyo. Se divorciaron en 1921 y Galli-Curci se volvi\u00f3 a casar con Homer Samuels, su acompa\u00f1ante en piano. En 1915 cant\u00f3 dos funciones de “Lucia di Lammermoor” con Enrico Caruso en Buenos Aires. Lleg\u00f3 a los Estados Unidos en el a\u00f1o 1916. Estaba planificada una corta estancia, pero el gran \u00e9xito que recogi\u00f3 por su interpretaci\u00f3n de la Gilda de Rigoletto\u00a0 fue tan extraordinario que acept\u00f3 permanecer como integrante de la Chicago Opera Company. Form\u00f3 parte de esta compa\u00f1\u00eda hasta 1924.\u00a0 <\/span><\/p>\n Amelita se convirti\u00f3 en una diva norteamericana. Firm\u00f3 un contrato con la compa\u00f1\u00eda discogr\u00e1fica Victor Talking Machine Company (RCA) y en 1921 Galli-Curci se uni\u00f3 al Metropolitan Opera de Nueva York para permanecer hasta su retiro de la escena, en 1930. Hab\u00eda padecido problemas de garganta durante muchos a\u00f1os, hasta que en 1935 tuvo que ser sometida a cirug\u00eda para extraer un n\u00f3dulo. El a\u00f1o siguiente regres\u00f3 a los escenarios como Mimi de La Boh\u00e8me en Chicago. Por desgracia, se hizo evidente que sus a\u00f1os de cantante se hab\u00edan agotado. Despu\u00e9s de unos cuantos recitales, se retir\u00f3 definitivamente y se traslad\u00f3 a vivir a California, donde asisti\u00f3 al Self Realization Fellowship<\/i>, a devotee of her Buddhist master Paramahansa Yogananda. She\u00a0 <\/span>She lived there until her death in November 1963, at the age of 81.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”galeria” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” background_size=”initial” background_position=”center_left” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” scroll_fade_enable=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” width=”100%” max_width=”1299px” custom_margin=”50px||0px||false|false” animation_style=”zoom” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_text_color=”rgba(255,146,79,0.9)” header_font_size=”57px” custom_padding=”0px||0px||true|false” header_font_size_tablet=”57px” header_font_size_phone=”55px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][ba_image_carousel is_autoplay=”off” slide_count=”4″ slide_spacing=”6px” nav_color=”#E09900″ nav_bg=”RGBA(255,255,255,0)” nav_pos_y=”45%” nav_pos_x=”-26px” nav_border_color=”#E09900″ use_lightbox=”on” slide_count_tablet=”3″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” slide_to_scroll_tablet=”” slide_to_scroll_phone=”” slide_to_scroll_last_edited=”on|desktop” center_padding_tablet=”” center_padding_phone=”” center_padding_last_edited=”on|phone” nav_pos_y_tablet=”95%” nav_pos_y_phone=”94%” nav_pos_y_last_edited=”on|phone” nav_pos_x_tablet=”165px” nav_pos_x_phone=”80px” nav_pos_x_last_edited=”on|phone” disabled_on=”on|off|off” _builder_version=”4.27.4″ _module_preset=”default” width=”100%” hover_enabled=”0″ global_colors_info=”{}” custom_css_main_element_last_edited=”on|phone” sticky_enabled=”0″][ba_image_carousel_child 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border_color_top=”rgba(230,164,86,0.44)” border_width_bottom=”1px” border_color_bottom=”rgba(230,164,86,0.44)” disabled=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” width=”65%” width_tablet=”65%” width_phone=”100%” width_last_edited=”on|phone” max_width=”1942px” custom_padding=”0px||0px||true|false” animation_style=”slide” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”AYUDANOS CON UN CAFECITO PARA TERMINAR EL PODCAST” button_url=”https:\/\/cafecito.app\/losandescine” url_new_window=”on” button_text=”CAFECITO APP” _builder_version=”4.27.4″ _module_preset=”default” header_font=”Anton||||||||” header_font_size=”37px” header_line_height=”1.2em” background_color=”RGBA(255,255,255,0)” custom_button=”on” button_text_size=”27px” button_text_color=”#e6a456″ button_bg_enable_image=”off” button_border_width=”1px” button_border_color=”#e6a456″ button_font=”Alumni Sans|600|||||||” button_icon=”||fa||900″ button_icon_color=”#ffffff” button_on_hover=”off” header_font_size_tablet=”37px” header_font_size_phone=”28px” header_font_size_last_edited=”on|phone” border_radii=”on|11px|11px|11px|11px” border_color_all=”rgba(255,161,79,0.95)” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" PROYECTO PODCAST DE NO FICCI\u00d3N NARRATIVO QUE UNE LA VIDA DE LA FAMOSA SOPRANO ITALIANA AMELITA GALLI CURCI, LA DE MI FAMILIA Y LA DE LOS DISPOSITIVOS DE SONIDO DE LOS \u00daLTIMOS CIEN A\u00d1OS. En casa siempre se habl\u00f3 de la reconocida soprano Amelita Galli-Curci (1882-1963), hermana de origen italiano de mi bisabuelo Enrico […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":283,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":940,"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/pages\/8\/revisions\/940"}],"wp:attachment":[{"href":"https:\/\/amelitagallicurci.com\/en\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Amelita and \u00a0<\/span>Paramahansa Yogananda, Washington DC, 1927<\/span><\/h5>\n
BIO<\/h1>\n
BIO<\/h1>\n
BIO<\/h1>\n
GALLERY<\/h1>\n